
By Susan Eernisse and Karen Gosselin
Excerpted from HELP! I HAVE REHEARSAL TOMORROW!
Click HERE to preview the book
Clap. Clap. Clap. Clap.
March. March. March. March.
Bounce. Bounce. Bounce. Bounce.
It may look like simple fun—and it is fun—but something very important is happening.
Children are experiencing steady beat, one of the most fundamental building blocks of music.
That's why HELP! I Have Rehearsal Tomorrow! makes this recommendation:
Steady beat is essential in every choir, regardless of age or grade level.
Not just preschoolers. Not just beginning singers.
Every choir.
Put the Beat in Their Bodies
We don't experience music only with our ears. We experience it physically.
Give children many different ways to move to the beat: marching, stomping, clapping, and more.
You might pat knees, tap shoulders, sway from side to side, walk around the room, bounce a ball, or pass an object around a circle.
Change the activity and suddenly something you've practiced many times feels new again.
Steady Beat Helps Build Better Singers
Here's something children's choir leaders sometimes overlook: steady beat isn't only preparation for learning rhythm.
It can also support pitch development and singing in tune.
When children internalize a consistent musical pulse, they develop an underlying framework that helps organize what they hear and sing.
So that marching activity isn't merely filling five minutes of rehearsal. You're building musicianship.
Use Movement to Teach More
Once children become comfortable moving to a beat, movement can introduce and reinforce other musical concepts including style, expression, and meter.
How would we move differently to a stately hymn than to a lively spiritual?
How might our bodies respond to music in three versus music in four?
What happens to our movements when the music becomes softer, louder, faster, or slower?
Now children aren't simply being told about music. They're experiencing it.
Add a Prop—and Watch What Happens!
Balls, scarves, ribbons, and other simple props can turn a steady-beat exercise into something children eagerly anticipate. The book specifically connects these props with movement activities.
Bounce a ball on the beat. Move a scarf in large flowing motions. Tap rhythm sticks. Pass a beanbag.
March while playing a drum.
And remember: children often learn best when they don't realize they're having a "lesson."
In HELP! we call that kind of playful teaching the “sneak attack.” Children experience an activity as a game while important musical learning is happening underneath.
So the next time rehearsal begins to drag—or attention starts to wander—don't automatically talk more.
Get them on their feet.
Find the pulse.
And move!
Because when children can feel the beat, you've given them a foundation on which so much of their future musicianship can be built.
Excerpted from Help! I Have Rehearsal Tomorrow!
© Copyright 2026 Jubilate Music Group, LLC.
All Rights Reserved.
Susan Eernisse and Karen Gosselin are cowriters of the new resource for children’s choir directors, Help! I Have Rehearsal Tomorrow!, published by Jubilate Music Group.
Susan Eernisse is a veteran children’s choir director, clinician, curriculum writer, and editor. A native of Anderson, SC, she holds degrees from Berry College and Anderson University and completed all three levels of Orff training. Susan has taught music in public and private schools and directed children’s church choirs of all ages for decades. She has led music camps and children’s choir festivals and enjoys writing songs, anthems, and teaching resources for young singers. Susan’s works have been published by several publishers. She and her husband, Glenn, recently retired from full-time music ministry and enjoy traveling, spending time with family, and continuing their musical interests.
Karen Gosselin is a lifelong children’s music educator and worship leader with a passion for raising the next generation of worshipers. A native Oklahoman, she earned a B.A. in Music Education from Southeastern Oklahoma State University and an M.M. from Southwestern Baptist Theological Seminary. Karen has served as a public-school and daycare music teacher, curriculum writer, nationwide children’s choir clinician, and longtime director of children’s and youth choirs. She currently serves as Coordinator of Worship Resources for the Alabama Baptist State Board of Missions, equipping and encouraging churches throughout Alabama in worship and music ministry. Karen and her husband, Greg, a retired children’s pastor, have three adult children and share a passion for helping churches lead every generation to worship Christ.





